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; genres - Crime; Release Year - 2019; country - USA; 2 h 11M; Tomatometer - 8,2 / 10.

 

Must see! Now do the Nick Sandmann case, expose CNN Fake News and the swamp. I thought the guy in the thumbnail was gonna shoot him with a gun 😂. O Caso de Richard jewellery uk. Part 1 right here: New England Patriots (-15. 5) at Washington Redskins Patriots ATS: 2-2-0 Redskins ATS: 1-3-0 Projected Team Totals: Patriots 28. 75 Redskins 13. 25 Patriots Opp (WAS) Pass DVOA: #29 Opp (WAS) Run DVOA: #17 Injuries to Watch DEF (WAS): None Injuries to Watch OFF (NE): RB Rex Burkhead (out) Key WR/CB matchups: Josh Gordon vs. Josh Norman, Norman doesn’t follow to slot (Rotoworld) Relevant Target Share%’s (season): Julian Edelman (21%), James White (20%), Josh Gordon (18%), Phillip Dorsett (15%), Rex Burkhead (12%) RB Snap%/Touches/Targets Week 4: Sony Michel (45%, 17, 0) James White (54%, 9, 10) QB/WR/TE Breakdown The Patriots encountered their first challenge of 2019, but came out on top against the Bills. Tom Brady (upgrade) had one of the worst statistical games of his career, but gets a much better matchup this week against the Redskins barely there pass defense. He can be treated as a top-10 QB1 this week, although his ceiling may be limited if the Redskins are unable to keep the game even mildly competitive. Julian Edelman (upgrade) is on track to play again this week, and owners should put last week’s dud in the rear view mirror. Edelman has a solid target share, and is an excellent WR2 in PPR leagues, with only a mild downgrade in standard leagues. Josh Gordon (downgrade PPR) hasn’t lived up to the billing yet this year, and gets a somewhat challenging shadow matchup against Josh Norman. He is certainly capable of burning Norman for a big play or two, but the Patriots may not need a high passing volume to win this week. He is a boom-bust WR3, especially in PPR leagues because of his lower target share. Phillip Dorsett (upgrade) is in a great spot as a streamer or DFS play, as he will likely avoid Norman, and could easily break free for a long TD against the Redskins poorly graded coverage safeties (PFF). Consider him a WR3/4 with excellent upside this week. Benjamin Watson (stash) returns this week after a 4 game suspension, and there’s a chance he becomes a relevant TE this year in fantasy. It's impossible to project his role at this point, making him a low floor start this week, but is worth stashing for owners desperate at the position. RB Breakdown The Patriots weren’t able to get much going on offense last week, and the run game was no exception. Sony Michel (upgrade standard) only managed 63 scoreless yards, and wasn’t targeted. His lack of involvement in the passing game keeps his floor extremely low, and makes him almost unusable in PPR leagues. However, the likely positive game-flow in this one gives him an excellent chance to punch in a rushing TD and get a solid volume of carries. He’s a low-end RB2 in standard, and a RB3/flex in PPR leagues. James White (downgrade) returned to his usual role last week, rushing only once but catching multiple passes and playing over 50% of the snaps. White will need to make a big play in the pass game or convert a red zone catch into a TD to be useful this week, and his volume will likely take a hit if the Patriots take a huge first half lead. He’s a decent flex in PPR leagues, but is a risky start in standard leagues. Rex Burkhead is out this week. Redskins Opp (NE) Pass DVOA: #1 Opp (NE) Run DVOA: #2 Injuries to Watch DEF (NE): S Patrick Chung (Q), LB Dont’a Hightower (Q) Injuries to Watch OFF (WAS): WR Terry McLaurin (Q) Key WR/CB matchups: Terry McLaurin vs. Stephon Gilmore (Rotoworld) Relevant Target Share%’s (season): Terry McLaurin (19%), Chris Thompson (18%), Paul Richardson (16%) RB Snap%/Touches/Targets Week 4: Adrian Peterson (39%, 11, 0) Chris Thompson (53%, 8, 5) QB/WR/TE Breakdown The Redskins continue to look directionless, both on the field and as a franchise. It will likely get even worse this week against arguably the best defense in the league this year. Colt McCoy (just don’t) has been volunteered as tribute this week, and will get the start over Dwane Haskins (investment protection) and Case Keenum (injury). McCoy has over performed expectations before, but it would be a miracle if he’s able to make it out of this game with fewer than 3 turnovers. Terry McLaurin (downgrade) is questionable to play this week, and even if he does suit up, he gets rewarded with a matchup against Happy Gilmore’s Island. He can’t be trusted in lineups as more than a WR4, despite his status as the clear #1 in the offense. His best hope would be to pile up yardage in garbage time, but considering he may not even play, there’s really no reason for WAS to risk their young star’s health in a blowout. All options in this passing game should be avoided, unless McLaurin is cleared of injury and an owner is in a desperate spot. RB Breakdown Washington’s offensive line is in a fierce competition for worst in the league, and the absence of All-Pro Trent Williams continues to be a huge problem. Adrian Peterson (downgrade) hasn’t been able to put together a good rushing performance this year, and is almost guaranteed to get phased out this week due to game-flow. Avoid him at all costs, especially in any PPR format. Chris Thompson (upgrade PPR) will be needed more than ever this week, especially if McLaurin is ruled out. He is the only player on the Redskins that has a reasonable case to be started, and should probably be reserved for PPR leagues. He’s the best bet to lead the Redskins in receiving this week and makes for a decent flex. Score Prediction: Patriots 27, Redskins 14 Baltimore Ravens (-3. 5) at Pittsburgh Steelers Ravens ATS: 1-3-0 Steelers ATS: 2-2-0 Projected Team Totals: Ravens 24 Steelers 20. 5 Ravens Opp (PIT) Pass DVOA: #19 Opp (PIT) Run DVOA: #20 Injuries to Watch DEF (PIT): None Injuries to Watch OFF (BAL): None Key WR/CB matchups: None. Steelers secondary improved with Minkah Fitzpatrick addition (Rotoworld) Relevant Target Share%’s (season): Marquise Brown (24%), Mark Andrews (23%), Willie Snead (8%) RB Snap%/Touches/Targets Week 4: Mark Ingram (46%, 13, 1) QB/WR/TE Breakdown Even with Cleveland’s top-2 CBs out last week, Lamar Jackson was unable to jumpstart a suddenly struggling Ravens passing game. Jackson’s rushing upside keeps his weekly floor and ceiling extremely high, so he remains a weekly elite QB1. Marquise Brown (downgrade PPR) has racked up insanely high air yardage totals this season, but has been equally inefficient with potential yards. Some of this is due to Jackson’s inaccuracy the past two weeks, but some can also be chalked up to rookie inconsistencies and the fact that Brown’s usage has yet to expand beyond lower percentage throws. Brown can blow up on any given week, and has a potentially exploitable matchup against Joe Haden, but the Steelers defense has been much improved against the pass since adding Minkah Fitzpatrick. Consider Brown an upside WR2/3 this week, with a downgrade in PPR leagues in this run first offense. Mark Andrews (upgrade) has been taken off the injury report, and is due for a big game. The Steelers have been middle of the pack against TEs, but Andrews involvement in the red zone and overall volume make him a top 6 TE again this week. No other Baltimore pass catchers have the volume to be trusted in lineups. RB Breakdown The Ravens haven’t given Mark Ingram (upgrade) workhorse level volume this year, but he has made the most of his touches. The Steelers aren’t elite against the run, and will get plenty of opportunities to rack up the points in likely positive game flow. Somewhat surprisingly, Ingram has been elite in both of his road games, and has put up duds at home both weeks. It’s a small sample size, but perhaps the trend is partly due to the Ravens added commitment to the run when in hostile territory. On the road again this week, and with the Ravens Vegas line favorites, consider him a low-end RB1 with a high floor due to his all around usage (red zone and pass game). Gus Edwards appears to be the primary handcuff to Ingram because of his early down usage, but if Ingram were to get injured, Justice Hill would likely get a bigger role as well. Neither is useful outside of extremely deep leagues at this point. Steelers Opp (BAL) Pass DVOA: #25 Opp (BAL) Run DVOA: #28 Injuries to Watch DEF (BAL): CB Jimmy Smith (out), DT Brandon Williams (Q) Injuries to Watch OFF (PIT): WR Juju Smith Schuster (Q), TE Vance McDonald (Q) Key WR/CB matchups: None (Rotoworld), Ravens secondary banged up Relevant Target Share%’s (season): Juju Smith-Schuster (19%), Dionte Johnson (15%), James Conner (14%), Vance McDonald (12%), Jaylen Samuels (10%) RB Snap%/Touches/Targets Week 4: James Conner (68%, 18, 8) Jaylen Samuels (26%, 18, 8) QB/WR/TE Breakdown The post Big Ben era has gotten off to a rocky start, and the Steelers have yet to take the training wheels off of Mason Rudolph (downgrade). His incredibly low average depth of target is holding back every WR and TE option in this offense for the time being, including last year’s breakout star Juju Smith-Schuster. The lack of downfield passing has hurt him the past few weeks, and with the Steelers running all kinds of gimmicky formations to limit Rudolph’s exposure, it’s hard to project a significant increase in volume coming soon. However, this week’s matchup against a banged up Baltimore secondary and explosive offense may be just the script that Juju needs to produce. Consider him a low-end WR2 this week, albeit with upside if the Steelers get down big and are forced to throw. Dionte Johnson has scored a TD in back to back weeks, but both have been on somewhat fluky plays. His low target share in an offense that is taking very few shots downfield keeps him in the dart throw WR4 area. Vance McDonald is questionable to play after missing last week, and his backup Nick Vannett is not a fantasy option. If McDonald does play, he would be on the TE1/2 borderline but should get a decent target share of short to intermediate throws. Ideally, all options in this passing game should be avoided, but Juju will likely need to be in lineups considering where owners drafted him. With his talent, it only takes one play for him to payoff. RB Breakdown The Steelers game plan last week to beat the hapless Bengals was to basically have their QB do as little as possible. They lined up James Conner (upgrade) and Jaylen Samuels (stash) in the backfield together at times, and even had Samuels throw a few short pop passes to Conner on motion plays. Conner’s carry volume in the positive game script was not as high as owners would like, but his involvement in the passing game should translate to this week’s likely negative game-flow matchup against the Ravens. If the Ravens are without nose tackle Brandon Wililams this week, it would be a further upgrade to his matchup. Conner has been removed from the injury report after a full practice on Thursday, so all systems are go for him to be fired up as a solid RB2, especially in PPR leagues. Samuels is a tough start with Conner fully healthy, but he could still get 10-15 touches. Consider him a low-end flex, worth starting in deep PPR leagues potentially, but keep him stashed in all leagues. Score Prediction: Ravens 28, Steelers 17 Chicago Bears (-5. 5) at Oakland Raiders Bears ATS: 2-2-0 Raiders ATS: 2-2-0 Projected Team Totals: Bears 23 Raiders 17. 5 Bears Opp (OAK) Pass DVOA: #27 Opp (OAK) Run DVOA: #9 Injuries to Watch DEF (OAK): DE Clelin Ferrel (Q), Vontaze Burfict (out for year) Injuries to Watch OFF (CHI): WR Taylor Gabriel (out) Key WR/CB matchups: None (Rotoworld) Relevant Target Share%’s (season): Allen Robinson (25%), Tarik Cohen (18%), Trey Burton (12%), David Montgomery (9%). RB Snap%/Touches/Targets Week 4: David Montgomery (69%, 24, 5 Tarik Cohen (39%, 7, 5) QB/WR/TE Breakdown The question hanging over the Bears right now is whether Mitchell Trubisky’s (out, shoulder) injury actually makes this offense better in the short term. Chase Daniel has been confirmed as the Week 5 starter after playing most of last week’s game in relief of an injured Trubisky, and was able to acquit himself decently well. He is not a fantasy option outside of deep 2 QB leagues because of this offense’s overall lack of production, but he should keep the main weapons viable and possibly even be a slight upgrade. Allen Robinson (upgrade PPR) got 23% of Daniel’s Week 4 targets, and should be given a slight upgrade considering the poor play and lack of depth in the Oakland secondary. Consider him on the WR2/3 borderline. Taylor Gabriel is out again this week due to his Week 3 concussion, so Anthony Miller may get a few more targets than usual. Considering he only saw 2 targets from Daniel last week, it’s tough to put him anywhere higher than a WR4/5 dart throw, especially in this low volume offense. Trey Burton (upgrade PPR) did get 4 targets from Daniels, and appears back to full health. The Raiders have given up the 5th most FPPG to opposing TEs, so this could be a week he racks up 5+ catches for 50+ yards. He’s more of a high-end TE2 due to the uncertainty of targets, but makes for a somewhat appealing streamer for those looking for a decently high floor that are ok with a low ceiling. RB Breakdown The shift to a full workload for David Montgomery (upgrade) continued last week, as he received 21 carries and caught 3 passes. His efficiency has been continually poor this year, but it’s not clear if that is due to his vision and burst, or more to poor offensive line play. Although the Raiders have been stout against the run, the absence of Vontaze Burfict (longest suspension for on-field actions in NFL history) is a slight downgrade to their rush defense. The Bears’ defense should put Montgomery in position to work with a short field and neutral or positive game-script for much of the day, so he could be coming for somewhat of a breakout week. Consider him a RB2 with a solid floor (due to receiving work), that could hit the endzone at least once if the Bears get a lead. Tarik Cohen (downgrade) surprisingly was faded out of the game plan almost entirely last week, getting only one carry turning his 5 targets into three catches for 7 yards. He was able to get into the endzone on one of his catches, but aside from that was very quiet. Cohen is a roll of the dice flex in PPR leagues, but this doesn’t project as a week the Bears will be working from behind so he’s generally less appealing, especially in non-PPR leagues. Raiders Opp (CHI) Pass DVOA: #6 Opp (CHI) Run DVOA: #3 Injuries to Watch DEF (CHI): DT Akiem Hicks (Q) Injuries to Watch OFF (OAK): WR Tyrell Williams (Q), OL Richie Incognito (Q), WR J. J. Nelson (Q) Key WR/CB matchups: None, Bears lock down opposing WRs (Rotoworld) Relevant Target Share%’s (season): Darren Waller (29%), Tyrell Williams (19%), J. Nelson (15%), Josh Jacobs (4%) RB Snap%/Touches/Targets Week 4: Josh Jacobs (54%, 19, 2) QB/WR/TE Breakdown Similar to last year, the Raiders got off to a great start by winning Week 1 and have since faded massively. Derek Carr (downgrade) has been his normal dink and dunk self, and isn’t taking enough shots downfield to bring any kind of fantasy relevance. This week’s matchup against the Bears dominating defense makes him unusable even in 2 QB leagues. Tyrell Williams (downgrade) is questionable to play, and even if he suits up makes for more of a WR4 considering the potency of the Bears secondary. Darren Waller (upgrade PPR) is likely the only member of the Raiders offense that owners can start somewhat confidently, as he has caught 6+ passes in every game this year. The Bears are only middle of the road against opposing TEs, and given the pressure Carr will face all game long, Waller will see at least 6-8 targets. He is a must start mid-level TE1 because of his high floor in PPR formats, but can be benched in standard formats if owners have an alternative TE1 option with a better matchup. RB Breakdown Despite Jon Gruden’s continued insistence that the Raiders want to involve Josh Jacobs (downgrade) more in the passing game, it has yet to really materialize. He hasn’t gone over 2 targets in a game yet this year, and his snap%’s have hovered around 50% the past three weeks. The Chicago front seven has been truly elite against the run, and considering the Raiders have one of the lower implied point totals on the week, he is a poor bet for a TD. His lack of pass game involvement also lowers his floor, which means he has to be viewed as more RB3 than RB2 in this incredibly tough matchup. Owners may have no choice but to start him, but do so knowing full well that the outlook is not very promising. Jalen Richard and Deandre Washington are far off the fantasy radar, and neither makes for a great handcuff. Score Prediction: Bears 21, Raiders 13 Denver Broncos at Los Angeles Chargers (-6. 5) Broncos ATS: 1-3-0 Chargers ATS: 1-2-1 Projected Team Totals: Broncos 19 Chargers 25. 5 Broncos Opp (LAC) Pass DVOA: #30 Opp (LAC) Run DVOA: #21 Injuries to Watch DEF (LAC): DE Melvin Ingram, S Nasir Adderley, LB Thomas Davis Injuries to Watch OFF (DEN): T Ja’Wuan James Key WR/CB matchups: Cpurtland Sutton vs. Casey Hayward (Rotoworld) Relevant Target Share%’s (season): Emmanuel Sanders (23%), Courtland Sutton (21%), Phillip Lindsay (13%), Royce Freeman (13%), DaeSean Hamilton (13%) RB Snap%/Touches/Targets Week 4: Royce Freeman (58%, 10, 6), Phillip Lindsay (42%, 10, 1) QB/WR/TE Breakdown Sitting at 0-4, the Broncos are essentially out of playoff contention - the 1992 Chargers are the only team to make the postseason after starting winless through four weeks since the NFL expanded the playoffs in 1990 (). Joe Flacco put up a respectable 303 yards passing and tossed 3 scores, but avoid him in fantasy. This lead to Emmanuel Sanders (upgrade PPR) and Courtland Sutton (downgrade) both having great days in the losing effort. Really, this Broncos team isn’t as bad as their record would indicate, they’ve given up two game winning field goals at home in the final seconds, truly heartbreaking, but such is life in the weekly grind of the NFL. Look for both Sanders and Sutton to remain WR2’s moving forward, but the matchup for Sutton this week is one that should be avoided if possible. He’s going up against Chargers stud CB Casey Hayward, a matchup that Hayward has dominated in the past (Rotoworld). The Chargers PASS DVOA numbers don’t reflect the secondary we expected, but seeing as they’ve been hit with the injury apocalypse to start the season, it makes sense. Outside of the safety position (the Chargers have lost multiple safeties for the season), the Bolts look to be getting healthy in the secondary, and this looks like a spot to avoid the Denver passing game if possible. Noah Fant caught his first touchdown last week and the Chargers give up 9. 4 FPPG to tight ends; so he’s on the streaming radar as a TE2. RB Breakdown Phillip Lindsay (upgrade) and Royce Freeman (upgrade) continue to split work evenly, but not in the way some would expect. Rather than each having a clear role in a facet of the game (running/passing), they are operating as the clear lead back while in the game and rotating in shifts. This has lead to unpredictable production from both and it’s impossible to predict which one will be on the field when Denver puts together a drive. Both should be considered low-end RB2’s this week - the Bolts are giving up 17. 1 FPPG to running backs and have not been strong against the run this year. Chargers Opp (DEN) Pass DVOA: #28 Opp (DEN) Run DVOA: #26 Injuries to Watch DEF (DEN): DB Kareem Jackson (expected to play), ILB Josey Jewell Injuries to Watch OFF (LAC): WR Dontrell Inman (IR), WR Travis Benjamin, WR Mike Williams (expected to play) Key WR/CB matchups: Keenan Allen vs. Chris Harris Jr. (Rotoworld) Relevant Target Share%’s (season): Keenan Allen (32%), Austin Ekeler (17%), Mike Williams (13%) RB Snap%/Touches/Targets Week 4: Austin Ekeler (63%, 23, 5), Troymaine Pope (37%, 12, 2) QB/WR/TE Breakdown It’s impossible to read into last weeks dismantling of the Dolphins by the Chargers, heck, even Tyrod Taylor got into the game. Philip Rivers is the definition of consistency, throwing between 293 yards and 333 in every game this year. He’s a back-end QB1 and his appeal is in the high floor, not the low ceiling. The Bolts receiving corps has also been hit by the injury Armageddon; Dontrell Inman was placed on the IR with a quad injury suffered last week, and both Mike Williams and Travis Benjamin are dealing with respective ailments. Keenan Allen should continue to soak up massive amounts of targets, but his date with CB Chris Harris Jr. is not desirable. The volume should at least guarantee a high floor and Allen remains a WR1. Mike Williams looks to be ready to return this week, and could see a large piece of the target share pie if fully healthy - he’s a WR3 with upside, we just don’t know what his role in the passing game will be or if he’ll be limited. The absence of any red zone threat tight end makes Williams even more appealing - the Bolts are also dealing with a myriad of injuries at tight end. Lance Kendricks was the only healthy tight end on the roster at the end of Sunday’s game against the Fin’s (), and he wasn’t a Charger two weeks ago. RB Breakdown Melvin Gordon is back. Or is he? Turns out he wasn’t needed after all Sunday and he didn’t even see one snap. Sounds like he’s going to be eased back into gameshape, but can we really believe coach speak at this point… Austin Ekeler (upgrade) will still be extremely involved, if not as a running back, but as a wideout. Consider both RB2s, but give the edge to Ekeler - we know for sure that he’ll see consistent volume. Score Prediction: Broncos 21, Chargers 20 Green Bay Packers at Dallas Cowboys (-3. 5) Packers ATS: 3-1-0 Cowboys ATS: 3-1-0 Projected Team Totals: Packers 21. 75 Cowboys 25. 25 Packers Opp (DAL) Pass DVOA: #14 Opp (DAL) Run DVOA: #14 Injuries to Watch DEF (DAL): DT Antwaun Woods (questionable), DT Tyrone Crawford (questionable) Injuries to Watch OFF (GB): WR Devante Adams (out), RB Jamaal Williams (out) Key WR/CB matchups: None Relevant Target Share%’s (season): Davante Adams (25%), Marquez Valdes-Scantling (19%), Aaron Jones (10%), Jimmy Graham (11%) Geronimo Allison (9%) RB Snap%/Touches/Targets Week 4: Aaron Jones (99%, 19, 7), Jamaal Williams - left game INJ (1%, 1, 1) QB/WR/TE Breakdown Devante Adams (out-toe) was given the doubtful tag for the matchup against Dallas early in the week after leaving TNF, throwing doubt on his availability in the short term moving forward. His absence leaves 25% of Aaron Rodgers targets up for grabs and the likely bet is that Geronimo Allison (upgrade) and Jimmy Graham (upgrade) will assume larger roles this week. Marquez Valdez-Scantling also receives a small upgrade and is the preferred play of the wideouts, but he is already assuming 19% of the target share. Dallas’ defense, although ranking right in the middle in terms of DVOA, is only giving up 12. 6 FPPG to quarterbacks and 17. 4 FPPG to wideouts so far, top-5 in the NFL. The real issue for Rodgers and his pass catchers is the amount of opportunity they’ll see - Dallas ranks 20th in pace of play (footballoutsiders) and will look to limit Packer possessions by establishing the run. Rodgers is a back-end QB1, but keep expectations tempered considering the tough road matchup without his number one target. MVS can be treated as a solid WR2 this week, while Allison is a feast-or-famine WR3. Jimmy draws the best matchup on paper and appears to be fully healthy after seeing 71% of snaps in Week 4 with 9 targets. After Adams left with his injury, Graham was targeted three times in a row () showing that he may become the primary target sans the star receiver. His floor is still scary low, but he’s a low-end TE1 in a good matchup this week. RB Breakdown Jamaal Williams (out) remains out after taking a huge hit against the Eagles last week. Aaron Jones (upgrade PPR) assumed an every down role after Williams left, but only managed 21 yards on 13 carries against the Eagles menacing front 7, salvaging his fantasy line by finding pay dirt. The matchup against the Cowboys doesn’t get any easier as they are only giving up 14. 8 FPPG to running backs. The encouraging takeaway from the week before was that Jones was heavily involved in the passing game, receiving 7 targets. If the every down role continues in Williams’ absence along with the passing game usage, Jones will establish a higher weekly floor for owners and become game-script proof. Treat him as a high-end RB2 this week. Cowboys Opp (GB) Pass DVOA: #5 Opp (GB) Run DVOA: #27 Injuries to Watch DEF (GB): CB Kevin King (doubtful), LB Oren Burks (questionable), LB Kyler Fackrell (doubtful), DL Montravius Adams (questionable) Injuries to Watch OFF (DAL): OT Tyron Smith (out), OT La’el Collins (questionable), WR Michael Gallup (expected to play) Key WR/CB matchups: Amari Cooper vs. Jaire Alexander (Rotoworld) Relevant Target Share%’s (season): Michael Gallup (24%), Amari Cooper (23%), Randall Cobb (17%), Jason Witten (13%), Ezekiel Elliot (11%) RB Snap%/Touches/Targets Week 4: Ezekiel Elliot (96%, 24, 7), Tony Pollard (4%, 0, 0) QB/WR/TE Breakdown Dak Prescott has become a top-3 fantasy quarterback seemingly overnight playing for a new contract. The Packers tough secondary may be his toughest test yet, but he gets emerging receiver Michael Gallup back, and Green Bay may be without CB Kevin King (upgraded to questionable today) who graded out as their best corner in Week 4 (PFF). Prescott is a QB1 per usual, but the Cowboys may look to run the ball against a weak run defense (27. 6 FPPG to running backs), just like the Eagles did the week before - limiting Prescott’s upside. Interestingly, in Week 4, emerging Green Bay stud CB Jaire Alexander did not shadow Alshon Jeffery as expected, and it remains to be seen if that was due to Alshon being a slower, big body receiver (Rotoworld), or if the Packers are choosing not to deploy him in shadow coverage. Amari Cooper (downgrade) is expected to draw Alexander in coverage, but even if he doesn’t, Kevin King slowed down Alshon to a 3-38-1 line. The matchup and gameplan should work against the Cowboys passing game this week, plus their starting LT is expected to be out. Michael Gallup is a feast-or-famine WR4 in a bad matchup, owners should wait and see that he’s healthy before deploying him. Devin Smith will be relegated to a role player with the return of Gallup and isn’t an option. Jason Witten continues to turn back the clock, receiving 4 targets every week as Dallas continues to feed him the rock. He’s emerging as a low-end TE1, albeit one without much upside. RB Breakdown Ezekiel Elliot is top running back option and this week is no different. The blueprint that the Eagles established to beat the Packers last week will likely be replicated by the Cowboys, setting Zeke up to eat. Tony Pollard is no more than a handcuff. Score Prediction: Packers 20, Cowboys 17 Indianapolis Colts at Kansas City Chiefs (-11) Colts ATS: 2-1-0 Chiefs ATS: 3-1-0 Projected Team Totals: Colts 22. 75 Chiefs 33. 75 Colts Opp (KC) Pass DVOA: #9 Opp (KC) Run DVOA: #31 Injuries to Watch DEF (KC): LB Dorian O’Daniel (out) Injuries to Watch OFF (IND): WR Parris Campbell (out), T. Y. Hilton (questionable), Marlon Mack (expected to play) Key WR/CB matchups: None Relevant Target Share%’s (season): T. Hilton (27%), Devin Funchess (19%), Eric Ebron (12%), Jack Doyle (12%), Nyheim Hines (12%) RB Snap%/Touches/Targets Week 4: Marlon Mack (35%, 11, 0), Nyheim Hines (44%, 9, 6), Jordan Wilkins (21%, 4, 1) QB/WR/TE Breakdown It’s safe to wonder after a home loss to the Raiders if the Colts are a different team without T. Hilton. Regardless, the passing attack is going to need to perform this week likely without Hilton; the Chiefs will score their usual 35 points. Jacoby Brissett while solid so far, wasn’t expected to be an option for 1QB leagues. Surprisingly, through four games he’s got the 9th most points for the position, - and will continue to score points this week as he will need to throw 40+ times to keep up with the potent KC offense - he’s a back-end QB1. T. Hilton is looking extremely iffy to play, and coach Frank Reich has even admitted that the Colts Week 6 bye is factoring into their decision on whether or not to play the star wideout; it looks like Hilton will most likely sit. This game carries easily the highest projected point total of the week and someone will need to catch the ball for Indy. Zach Pascal is coming off of back to back weeks with either 70 yards or a touchdown, his status as a WR3 is completely dependent on Hilton’s health. Deon Cain and Chester Rodgers have also seen similar snap counts and target share in the absence of Hilton, and it’s really anyone’s guess who will produce. Pascal seems like the best bet considering the past few games. Eric Ebron and Jack Doyle also saw a similar amount of targets last week as the wideouts and really, the whole situation should be avoided outside of Brissett if possible. RB Breakdown Marlon Mack was unable to return in the second half against the Raiders with an ankle injury, but is expected to play this week. The Chiefs have been weak against the run, but it may not matter - most weeks Mahomes is able to build a lead so the opposing team has to abandon the run altogether. Consider Mack a game-script dependent RB2 in a good matchup. It’s looking like this could be a Nyheim Hines upgrade PPR) week if there ever was one. He will be on the field when the Colts face negative game-flow and could see an uptick in targets this week. Consider him a back-end flex option that receives an upgrade in full PPR formats. Chiefs Opp (IND) Pass DVOA: #9 Opp (IND) Run DVOA: #32 Injuries to Watch DEF (IND): S Malik Hooker (out), LB Darius Leonard (out), DE Tyquan Lewis (out), S Rolan Milligan (questionable), LB Anthony Walker (questionable), CB Rock Ya-Sin (questionable) Injuries to Watch OFF (KC): WR Tyreek Hill (out), WR Sammy Watkins (questionable), T Eric Fisher (out) Key WR/CB matchups: None Relevant Target Share%’s (season): Sammy Watkins (24%), Travis Kelce (21%), Damien Williams (14%), Demarcus Robinson (13%), Mecole Hardman (11%), Darrell Williams (11%), LeSean McCoy (7%) RB Snap%/Touches/Targets Week 4: LeSean McCoy (45%, 13, 4) Darrell Williams (50%, 11, 4) Darwin Thompson (5%, 0, 0) QB/WR/TE Breakdown The Lions finally gave the Chiefs a game in Week 4, but Patrick Mahomes did P-Mahomey things to win, getting it done with his legs this time. Mahomes is the QB1 regardless of matchup, however, going against a weak run defense and a stingy secondary (although banged up) it would seem like the Chiefs may opt to run the ball a bit not. Mahomes can never be counted out and it doesn’t seem like matchups matter to Andy Ried - Kansas City seems to move the ball however they want to. Tyreek Hill (out) is set to miss another game, but surprisingly (is it? ) Sammy Watkins has popped up on the injury report as questionable. Monitor his status, but if he is unable to go then Mecole Hardman and Demarcus Robinson would both receive a bump in usage. Hardman demonstrated his extremely low floor last week, actually receiving negative fantasy points due to a lost fumble. Both are big play dependent WR3/4’s. Travis Kelce continues his assault on the league, clearing 80 yards in every game so far. He only has one touchdown on the year and that will probably change in a hurry. He’s a good bet for some positive touchdown regression this week, fire him up as the overall TE1. RB Breakdown Damien Williams is set to return after missing the last couple with a knee injury. He’s expected to mix in with LeSean McCoy, bumping Darrell Williams back to the bench and fading Darwin Thompson back into obscurity. It’s anyone's guess who receives the lion's share of touches, but based on Week 1, it seems like McCoy will be deployed as purely a runner while Williams will be the pass-catching back. Both offer immense upside against a defense ranked dead last against the run and hemorrhaging 20. 5 FPPG to running backs. Williams and LeSean should both be considered solid RB2s. Score Prediction: Chiefs 34, Colts 24 Cleveland Browns at San Francisco 49ers (-4) Browns ATS: 2-2-0 49ers ATS: 2-1-0 Projected Team Totals: Browns 21. 25 49ers 25. 25 Browns Opp (SF) Pass DVOA: #2 Opp (SF) Run DVOA: #6 Injuries to Watch DEF (SF): DE Dee Ford (DNP) Injuries to Watch OFF (CLE): WR Jarvis Landry (likely to play), TE David Njoku (out) Key WR/CB matchups: None, Richard Sherman hasn’t shadowed WRs with SF (Rotoworld) Relevant Target Share%’s (season): Odell Beckham Jr. (26%), Jarvis Landry (24%), Nick Chubb (14%), David Njoku (10%), Ricky Seals-Jones (7%) RB Snap%/Touches/Targets Week 4: Nick Chubb (64%, 23, 4) Dontrell Hilliard (36%, 8, 3) QB/WR/TE Breakdown Week 4 was a welcome sight for Browns’ fans and fantasy owners alike, as the offense came alive in a beatdown of a solid Ravens team on the road. The formula for success was to give Nick Chubb a huge workload, while getting the ball out of Baker Mayfield’s (downgrade) hands on quick routes. Mayfield hasn’t had the time in the pocket to throw for almost any long downfield completions, but his 17 fantasy points last week represented a season high. As long as the O-Line remains a problem his ceiling will be capped in what should be a run and short pass oriented offense going forward. This week’s matchup against a stout Niners passing defense will be a real test not only for the Browns but also to find out if the SF secondary is for real. Mayfield is just outside the QB1 ranks this week, and can be benched for alternative options, but his weapons keep him in the mix for 15+ points again this week. Odell Beckham Jr. (upgrade) only caught two passes for 20 yards last week, while watching his teammate Jarvis Landry (downgrade standard) go off for a season high 167 yards. Beckham is unlikely to face shadow coverage, and should have a solid matchup against Emmanuel Mosley (2018 UDFA). Look for Mayfield to get Beckham rolling this week early and often, and he can be treated as a borderline WR1 based on talent alone. Landry needs volume to reach his ceiling, but does have a great floor in PPR, especially with the need for short passes behind this shoddy line. His projected matchup with SF’s stud slot CB K’waun Williams is a slight concern, so he’s only a WR3 in PPR with a slight downgrade in standard. He has cleared the concussion protocol and practiced in full on Friday, so if you need him, he’ll be good to go on Monday night. RB Breakdown Head Coach Freddie Kitchens said after Week 2 that he “would love to get (Chubb) more touches”, and has managed to make it happen the past two weeks. Nick Chubb (upgrade) ran hard last week into a weak Ravens front seven, and ended with a monster line. The Niners have a better rush DVOA than Baltimore, but Chubb’s volume keeps him in the RB1 slot with ease at this point. We aren’t sure exactly who Kitchens had to ask to get Chubb more touches (Chubb’s parents maybe? ), but we can only hope that the permission slip isn’t rescinded any time soon. Backup Dontrell Hilliard is a weak handcuff with Kareem Hunt due back in a few weeks, so if you must roster one of them make it Hunt. 49ers Opp (CLE) Pass DVOA: #7 Opp (CLE) Run DVOA: #19 Injuries to Watch DEF (CLE): CB Greedy Williams (Q, unlikely to play), CB Denzel Ward (out), S Morgan Burnett (Q, likely to play) Injuries to Watch OFF (SF): RB Tevin Coleman (questionable) Key WR/CB matchups: None (Rotoworld) Relevant Target Share%’s (season): George Kittle (25%), Deebo Samuel (16%), Marquise Goodwin (9%), Tevin Coleman (11%), Matt Breida (6%) RB Snap%/Touches/Targets Week 3: Matt Breida (41%, 16, 3) Raheem Mostert (30%, 12, 1) QB/WR/TE Breakdown Kyle Shanahan is riding high at 3-0 coming off of an early bye week. His offense hasn’t been flawless through three games, but has done enough to keep a few weapons valuable. In the passing game, Jimmy Garappolo (downgrade) continues to struggle with turnovers (3 in Week 3) but makes plays when his weapons are schemed into space properly. His ceiling is extremely low in this run heavy offense, so he isn’t an option except in deep 2 QB leagues. Deebo Samuel has been Jimmy G’s preferred target so far this season, and Samuel’s 16% target share makes him a risky week to week proposition. He’ll take aim at an injured Browns secondary this week, but after watching the backups hold the Rams and Ravens receivers to mostly poor lines the last two weeks, it’s hard to get overly excited about Samuel’s potential. There just isn’t enough volume to sustain multiple fantasy relevant WRs most weeks, and much like the run game, Shanahan tends not to have one WR get a high majority of the work. He’s a WR4 with upside based on his speed. George Kittle is an obvious TE1, and is due for some positive TD regression after barely missing and/or having a few wiped out due to penalty. Expect him to hit soon, and don’t even think about benching him. Dante Pettis has been mostly phased out, so unless you think he’s just on timeout for missing bedtime and will return to a full snap count soon, he’s not a start in any depth of league. RB Breakdown One of the more frustrating backfields to predict this season, the Niners have managed to force fantasy owners to pick up potentially four different running backs this season. That’s kind of rude honestly. Tevin Coleman is tentatively expected to return from injury this week, and will likely get a few early down carries and a sprinkle of targets, but should be stashed not started this week. The Browns are vulnerable to the run, but unless you recently found a new car with no license plates and the keys in the ignition, starting Coleman this week seems unwise. Matt Breida is probably the safest option considering his swiss army like usage and his 41% snap count in a tight Week 3 game keep him in the flex range. Raheem Mostert (stash) is likely relegated to 5-8 touch COP work, and Jeff Wilson should only be owned in leagues that don’t count yardage. Ideally this backfield is one to avoid entirely, but owners in desperate need can roll with Breida and expect something in the range of 7-12 points. Score Prediction: Browns 21, Niners 17.

Whenever a genuinely good story is told, it's hard to mess it up. Since Clint Eastwood is a great storyteller, the story of Richard Jewell is told perfectly. The actual bombing seemed to be very glossed over, and in the movie, the event didn't seem that bad verses a movie like Patriots Day where the effects of the bombing are intense and even horrific. But the acting was incredible. Great performances from everyone. Loved Sam Rockwells character. Very emotional in the final half hour. Great movie. Must see.

Security guard Richard Jewell (Paul Walter Hauser) discovers a suspect package during a concert celebrating the 1996 Summer Olympics in Atlanta. Although Jewell raises the alert, the pipe bomb goes off, killing one person and injuring 111. Initially hailed as a hero, Jewell becomes the chief suspect, turning his quiet existence into a living hell. Richard Jewell answers the pressing question most of us have been asking since 2009: what if Paul Blart: Mall Cop were remade as a prestige picture? Clint Eastwood ’s straight-down-
the-middle drama about the security guard (Hauser) who saved countless lives by finding a pipe bomb during a concert celebrating the 1996 Summer Olympics continues his current obsession: the real-life ordinary American who becomes a hero then struggles with the aftermath (see American Sniper, Sully and, to some extent, The 15:17 To Paris). Anchored by a strong performance by Paul Walter Hauser, Richard Jewell is simplistic, but still manages to make Jewell’s plight engaging without ever hitting dramatic highs. After sketching Jewell’s overzealous passion for law enforcement (as a university security guard he arrested students before they reached the campus), Eastwood and screenwriter Billy Ray recreate the concert bombing in meticulous detail (like Sully ’s plane crash, Eastwood peppers it throughout the film to enliven talky procedural scenes). After being hailed an instant hero, Jewell’s life is upturned when FBI agent Tom Shaw ( Jon Hamm, with little to work with) tells journo Kathy Scruggs ( Olivia Wilde) that Jewell is the only suspect. Making front page news, what follows is a series of (repetitive) scenes with Jewell under house arrest with his mom Bobi ( Kathy Bates, who grows in stature as the film goes on) as the media scrum grows more frenzied and the Feds struggle to try to find incriminating evidence. Clint Eastwood’s simplicity also extends to his take on the material. Best known for playing the dim-witted racist in BlacKkKlansman and the dim-witted bodyguard in I, Tonya, Hauser is perfect in a role originally earmarked for Jonah Hill (who exec produces here). In his skilful hands, Jewell flits between amicable and annoying (his desire to identify with the law enforcers who are making his life a misery frustrate). Jewell’s chemistry with lawyer Watson Bryant ( Sam Rockwell giving it trademark sass and energy) go a long way to make the film affecting. The weak link here is Wilde’s Scruggs, conceived as an aggressive hack and played with wild-eyed intensity by Wilde, who seems to be in a completely different, less interesting film. Perhaps sprouting from Jewell’s hangdog quality, there is a sombre tenor to the film. Eastwood’s filmmaking runs to his bog-standard, unpretentious M. O., shooting scenes in mid-shot hell — a set-piece juxtaposing Michael Johnson running the 400 metres with Bryant pacing out the walk between the park and pay phone where the bomber made an anonymous 911 call boasts some rare brio. But Eastwood’s simplicity also extends to his take on the material. Richard Jewell venerates the underdog and castigates the Establishment, be it the government, law enforcement or media. In this sense it’s a world-view that might be considered Trumpian: bold, playing hard on simple sentiment and — Hauser aside — very little in the way of nuance. More engrossing than both Sully and The 15:17 To Paris, Richard Jewell is enlivened by Paul Walter Hauser’s breakout performance yet undone by a lack of subtlety and real dramatic wallop. Solid, dependable, very late period Eastwood.

O Caso de Richard jeweller. In the past few years there has been an overwhelming number of allegations of people being sexually abused or exploited by their employers, much of them very recent. So I don't really understand why I as a viewer I should be shocked and outraged and immediately in denial that something like this could have happened. Besides, where is the statement from FBI about how they are dissapointed they are portrayed as a grossly unprofessional meat heads? p.s. I somewhat lose respect for them when actors make retroactive claims they did not agree with the movie or the director or whatever, and are actually on the same side with their critics. I mean, you could just chose not to do it (I believe the script for RJ was quite straightforward) or else all you had to say was that you needed this paychek - this would be way more understandable.

Suddenly, democrats adore the FBI. Its all about whether or not the agency is THEIR attack dog. The IG report shows clear abuse in the FBI. The high tier players. Press J to jump to the feed. Press question mark to learn the rest of the keyboard shortcuts log in sign up 1 1 Posted by 1 month ago Watch Richard Jewell Online comment 100% Upvoted Log in or sign up to leave a comment log in sign up Sort by no comments yet Be the first to share what you think! u/rymanchick Karma 1 Cake day December 20, 2019 help Reddit App Reddit coins Reddit premium Reddit gifts Communities Top Posts Topics about careers press advertise blog Terms Content policy Privacy policy Mod policy Reddit Inc © 2020. All rights reserved Cookies help us deliver our Services. By using our Services or clicking I agree, you agree to our use of cookies.   Learn More.

Trailer filme o caso de richard jewell. So many russian trolls. They appear as soon as you mention them. Sorry for the delay first up was Black Christmas i have rarely seen a movie i enjoyed less than “Black Christmas. ” audiences are most likely prone to object the PG-13 rating, or the fact that this could only be considered a remake by the title alone, but those are the least of this movie’s problems. it seems astonishingly brazen, under the circumstances, that of all the stories that director Sophia Takal could have chosen to tell, she chose this one. i think there's a valid approach to the idea of today’s rape culture in the context of a slasher film, where male aggression towards women has always been part of the subtext anyway, but this movie is so heavy-handed that it reads as a borderline parody of feminism. do they really think that we need things spelled out to this degree? the movie begins with the students of Hawthorne College preparing for holiday break. Riley (Imogen Poots), a member at the College's MKE sorority, is still struggling to move on from being assaulted by the AKO fraternity president, Brian (Ryan McIntyre), which no one besides her close friends believed her about despite Brian being forced to leave. one of her sorority sisters, Kris (Aleyse Shannon), has drawn the ire of AKO following a petition from her requesting that university founder and notorious misogynist Caleb Hawthorne's bust is moved away from the main building. the sorority sisters are all taking part in the AKO talent show with a dance. the group arrives at the fraternity, where Riley catches a glimpse of a strange ritual involving new pledges for the male sorority members and a black goo leaking out of the Hawthorne bust. Riley takes place in the talent show and, upon seeing Brian in the crowd, performs a song with her sorority group blasting the rape culture at the fraternity and stating that Brian did, in fact, rape her. the girls leave in high spirits, and Riley begins to bond with Landon (Caleb Eberhardt), a friendly boy from AKO who takes a liking to her. the trouble with Imogen Poot's performance is that she's playing against something instead of playing a character. The whole plot depends on her being at least a little credible, and she isn't. in the end, her voice holds no promise or mystery, and her movements aren't alluring. the movie doesn't do much to justify its thematic elements. everything is smartened up for a possible new theme in the genre, but to no avail. it's a slovenly production, and the suspense never gets going. there's a large disparity between what the characters are talking about and what is actually happening in the action of the story. it's completely at odds with itself. the gender wars are staged immaculately and reverentially, without comment. the movie never deals explicitly with any of it, yet, for all the parallels with that this film goes through, the basic impulse and spirit of it seem more closely allied to the use of feminist movements. i have nothing against movies that try to push female empowerment. as long as the message is executed well, it can get the point across. but i was appalled at how careless the commentary on gender was in this film. it still has to cover the basic plot elements of the original “Black Christmas, ” such as the obscene messages or phone calls that the girls receive, and the hangings and slashings that take place in the sorority house. pretty typical stuff. but then the hammer comes down. we find out more about the secret cult that lurks around the campus, and are left with a big revelation: the norms in male masculinity are, in and of themselves, a cult that thrives on sexual abuse. if this same subject was done with women, the world would cry with outrage. but now we learn that sexism is okay as long as it’s being aimed towards men. the message is a numbing shamble in a movie you want to deface; you want to draw mustaches on it, because there's no observation in it, no hint of anything resembling direct knowledge, or even intuition, of what people are about. aside from the verbal sexist brutality, there’s nothing to really keep the movie running. its horror elements are set to scare purely by shallow and mechanical means, and the farcical black comedy is too thin and literal minded to leave any lasting effect. the warmhearted empowerment near the end is so oblivious to the moral and ethical issues raised by the rest of the film, and so ignorant of how actual people talk to each other, that it manages to out-sick everything else that Takal has shown us. this is not a film about individuals who have lost their moral compass, but a movie that lacks one. “Black Christmas” is terrible in such a primitive way that it has a strange sort of austerity and integrity. and it makes you feel terrible, because you realize how deeply involved the director must have been to go so blindly wrong. i know moral detachment is a key element of the ironic pose, but there is a point, once reached, which provides a test of your underlying values. next up was Richard Jewell Clint Eastwood's "Richard Jewell" is firm in its refusal to cheapen and tarnish by inventing salacious scenes. the movie is a portrait of the public image that Richard Jewell maintained all his life, even in private. the chilling possibility is that with Jewell, what you saw was what you got. he was an unbending moralist who surrounded himself with FBI straight arrows. i don't get the impression that Eastwood particularly respected Jewell, but i do believe he respected his unyielding public facade. it is possibly Jewell's lifelong performance that fascinated him. Eastwood is not an imaginative director, or inventive, but he keeps the grisly central situation going with that special energy and drive that often make movies more exciting. we first see Richard (Paul Walter Hauser) as a supply clerk at a law firm in 1986. His awkward ways and surprising efficiency catches the eye of attorney Watson Bryant (Sam Rockwell), a quasi-connection that comes into play a decade later. we then jump ahead those 10 years to find Richard being fired from his campus security job at a college due to his over-zealous focus on protocol. fortunately for Richard, the Olympics are coming to Atlanta, so finding work as a security guard is pretty easy. moving back home with his mother Bobi (Kathy Bates), Jewell obtains a position as a security guard during the 1996 Summer Olympic Games. stationed at Centennial Park, Jewell, along with other law enforcement officers, maintain security during the various concerts and events taking place at the venue. after chasing off some drunken delinquents, Jewell discovers a suspicious backpack beneath a bench right beside the NBC broadcast tower. moments later, an unknown man calls 911 from a nearby pay phone station and warns of an impending bomb detonation. the security team, which includes both FBI agent Tom Shaw (Jon Hamm) and Jewell's longtime friend Dave Dutchess (Niko Nicotera), begin to evacuate the area, but after a few minutes, the bomb detonates, killing two people and injuring over one hundred. in the immediate aftermath, Jewell is heralded as a hero who saved many of the attendees' lives and is swarmed by media outlets. however, at Atlanta's FBI office, Shaw is approached by a superior who indicates that based on information from his past records, Jewell may be a suspect in the bombing. using the 911 call as their only source of evidence, they create a profile to match with Jewell, which entails a 'lone wolf' who dreams of grandeur in law enforcement and decides to be a hero by calling in his own terrorist threat only to discover the device and evacuate the public prior to its detonation. carrying gung-ho dreams of a career in law enforcement, while collecting guns and knowledge on bombs and police procedure, made Richard seem like the kind of guy who would do something for attention. but he's the last guy that you would want to call a terrorist. he's actually pretty innocent and sincere. he fights for his country, not against it, and comes across as warmly sympathetic in a style that antedates the style of the movie. furthermore, in some difficult-to-define way, Paul Walter Hauser doesn't keep his distance. that is to say, an actor's distance, either from the role or from the audience. he doesn't hold a characterization; he's in and out of emotions all the time, and though he often hits effective ones, the emotions seem his, not the character's. Jon Hamm has perfected the role of cocksure FBI agent and here he plays Tom Shaw as the man totally focused on proving that Jewell was the perpetrator. much has been made of Eastwood's depiction of Atlanta Journal-Constitution reporter Kathy Scruggs (Olivia Wilde). it's a bit curious that the uproar is over what some interpret as a reporter trading intimate relations for a scoop, yet Eastwood's contempt seems focused more on the idea of trying a citizen's case in public while lacking any real evidence outside of a profile. the reporter (Ms. Scruggs passed away in 2001) is certainly portrayed as an ultra-aggressive reporter desperate for a headline story, but the implied consensual affair occurred after the inside information was provided, and the FBI agent was actually surprised. perhaps the viewer reaction to this is simply a sign of the times, but i'm guessing if any one of Eastwood's critics were similarly falsely accused (as Jewell), the fictionalized version of that reporter would be less important than having the truth discovered. of course, this could have been easily avoided had the name of the reporter been changed for the film. two key supporting roles come courtesy of Kathy Bates as Richard's mother and Sam Rockwell as his attorney. Bates starts out as a loving and simple mother to Richard, but her press conference captures the character in a new light. it's a strong and heartfelt performance. Rockwell has endowed his character with a wonderfully complex nature, so that he is both lovingly dependent and resourcefully tough. the atmosphere is thus full of echoes, and the movie - consciously, i think - reactivates them. the film and the true story both emphasize the danger of prematurely persecuting individuals, especially in public. these days, the race is always about who is first with a story, rather than who is right. a rush to judgment can be seen as an abuse of power, whether it's by the media, a law enforcement agency, or the internet. "Richard Jewell" commands attention, however, especially in these interesting times where media has completely ignored its bedrock pledge to objectivity. the use of loaded melodramatic techniques are so effectively blended with new semi-documentary methods to produce the illusion of current history caught by the camera. given the genre, however, Eastwood has been intelligent and restrained, and such humanitarianism in filmmaking is becoming rare. the movie is not conceived in terms of vision or mystery or beauty. biography is a peculiar genre; it doesn’t seem to result in much literary art, either. this movie is efficient and craftsmanlike; it’s conceived and carried out for maximum appeal, though with a cautionary message, and with some attempts to score little points against various forms of establishment thinking.

 

Updated with full schedule In early 2020, r/OscarsDeathRace are hosting a viewing marathon in the run up to the 92nd Academy Award Ceremony. This series aims to promote a discussion of this year's nominees and gives subscribers a chance to weigh in on what they've seen, what they liked, and who they think will win. This thread shows what we're going to be watching, and will link to the individual film discussion threads. For a full list of this year's nominations have a look here and for their availability check the megathread. This year (partly as there's a reduction in time between the nominations and the ceremony), we're starting before the nominations are announced with a fortnight of films we think are very likely going to get nominated, and are widely available. As usual, we'll try to schedule the films so that there's variety between different days - ie. there's not a bunch of documentaries, blockbusters, or international films all one after the other. If you’d like to track how many of the nominations you’ve watched and your progress through the Oscars DeathRace, take a look at this Google sheet tracker with optional community progress tracking. Threads will go live at 06:00 UTC daily. 40 Days of Film Viewing & Discussion Schedule. 31 Dec: Day 1 - Toy Story 4 1 Jan: Day 2 - Avengers: Endgame 2 Jan: Day 3 - Judy 3 Jan: Day 4 - The Lighthouse 4 Jan: Day 5 - Joker 5 Jan: Day 6 - Marriage Story 6 Jan: Day 7 - Documentary Shorts 7 Jan: Day 8 - Parasite 8 Jan: Day 9 - Once Upon a Time in Hollywood 9 Jan: Day 10 - How to Train Your Dragon: The Hidden World 10 Jan: Day 11 - Hustlers (****surprised us and did not actually get any nominations) 11 Jan: Day 12 - The Irishman 12 Jan: Day 13 - Animated Shorts 13 Jan: Day 14 - Pain and Glory / Nomination announcement day 14 Jan: Day 15 - Ford v Ferrari 15 Jan: Day 16 - American Factory 16 Jan: Day 17 - Jojo Rabbit 17 Jan: Day 18 - I Lost My Body 18 Jan: Day 19 - The Two Popes 19 Jan: Day 20 - Honeyland 20 Jan: Day 21 - Ad Astra 21 Jan: Day 22 - Harriet 22 Jan: Day 23 - Knives Out 23 Jan: Day 24 - The Edge of Democracy 24 Jan: Day 25 - 1917 25 Jan: Day 26 - Klaus 26 Jan: Day 27 - Little Women 27 Jan: Day 28 - A Beautiful Day in the Neighborhood 28 Jan: Day 29 - Missing Link 29 Jan: Day 30 - For Sama 30 Jan: Day 31 - Bombshell 31 Jan: Day 32 - Rocketman 01 Feb: Day 33 - Les Miserables 02 Feb: Day 34 - Maleficent: Mistress of Evil 03 Feb: Day 35 - The Cave 04 Feb: Day 36 - Live Action Shorts 05 Feb: Day 37 - Richard Jewell 06 Feb: Day 38 - The Lion King 07 Feb: Day 39 - Corpus Christi 08 Feb: Day 40 - Frozen II & Breakthrough (just "Best Song" day) 09 Feb: Bonus: Star Wars: The Rise of Skywalker / 92nd Academy Award Ceremony If anyone sees any problems with this schedule please let us know.

O caso de richard jewell filme. I will never have any respect for the news media. They are disgusting. I've had to do work at local news channels and I can tell you that the majority of the people there were self-centered twits. (Except for the IT people, they were cool. Fantastic movie just saw it last Friday. Sam Rockwell and Kathy Bates likely are going to get Academy Award nominations for Best Supporting Actor and Best Supporting Actress maybe even win. I am surprised the movie is not doing as well in the box office likely due to the holiday overcrowding of blockbusters and awards fare. If Clint Eastwood had dropped this movie on Netlfix pretty sure it would have a cult following like Scorsese's The Irishman by now.

That's a small porch. O Caso de Richard jewel box. El caso de richard jewell. O caso de richard jewell imdb. O caso de richard jewellery. O caso de richard jewell crítica. Best Director. O caso de richard jewell critica. Was watched the Live Olympic Coverage overnight in '96 when the Bombing happened so got to follow along as things got pieced together in Real-time. Was skeptical at the time of how Jewell got thrown under the Bus so quickly after being called a hero. Surprised the Trailer didn't highlight (or did it? Tom Brokaw's suggestion (saying on Air as a Trusted NBC Nightly News Anchor) that basically the FBI had the Evidence against Jewell and it was just a matter of days before Jewell's arrest. Sad that this was another example of Mob Think. Kind of like Oklahoma City a year earlier when early on everyone was looking for a (2nd Bomber) foreign terrorist when it was really a Domestic plot.

I was across the street washing my car when the government invaded the poor guys house on Buford Hwy Atlanta, Ga. we watched when the media and the government tried to frame and destroy this man. I will never forget that day. The day when I realized the government/ the deep state and its willing ally the media are our real enemy. They are the ones we must distrust and fear more than any enemy they claim! Like t try ought now how they are destroying our president.

O caso de richard jewell musica

Omg this story is intense. Trilha sonora do filme o caso de richard jewell. O caso de richard jewell historia. Filme o caso de richard jewell. Sad that guy died at 44 years old. Trailer do filme o caso de richard jewell. Olivia and her massive kills it for me! Love Eastwood films though, too bad. As December arrives, the gears in the awards race start to increase their speed to the max, and my addiction to see the different Oscar campaigns flying or crashing is rewarded. Let's take a quick look at the calendar for the next two weeks: -Tuesday, December 3: The National Board of Review (NBR) announces the honorees for the Top 10 Films of the Year. -Wednesday, December 4: The New York Film Critics Circle (NYFCC) votes and announces its 2019 awards. -Sunday. December 8: The Los Angeles Film Critics Association (LAFCA) votes and announces its 2019 awards. -Monday, December 9: The Golden Globes nominations are announced. -Wednesday, December 11: The Screen Actors Guild (SAG) nominations are announced. But before the race starts to shake, it's good to take a look at the status of the contenders, and why they need some of the awards and nominations that I just mentioned. -1917: Let's start things off with a bang. Sam Mendes' one-take WWI extravaganza finally started screening a few days ago, and the reactions agree that the movie, about two English soldiers crossing enemy territory to send a message that will stop a massive ambush, is very thrilling and has it's fair share of emotions. Impressive war movies are like catnip to the old members of the Academy, and if they are not too distracted with Scorsese and Tarantino, we could be looking at nominations for Best Picture, Best Director, Best Cinematography (Roger Deakins, bay-bay! ), Best Production Design, Best Original Score (it's a crime that Thomas Newman hasn't won one yet), Best Sound Mixing and Best Sound Editing. There's also rumblings about the up-and-comer George MacKay being in the running for Best Actor, and some say that it even has a shot at Best Original Screenplay. This shakes up the race, without a doubt. -A Beautiful Day in the Neighborhood: While some movies rise, other movies start fading out. After Toronto, it seemed like Marielle Heller's Mr. Rogers dramedy would be a slam dunk for the race, but even though the raves are there and the box office results are decent, the buzz is disappearing. There's too many films fighting for attention, so non-flashy films like this one end up paying the price. The adapted screenplay and Tom Hanks' supporting performance have become the only big shots for Oscar love, but let's not forget that Tom hasn't been nominated since 2001, because of that time a witch put a curse on him or something like that. -Avengers: Endgame: After some fanboy controversy that looked a little engineered, Disney has begun the serious campaigning for Best Picture with a film by the acclaimed auteurs known as the Russo Bros, who would like for you to know that "cinema" is an elite word. Anyway, while that's definitely not happening, the Mouse House is putting a little more weight for a Best Supporting Actor nod for Robert Downey Jr's farewell portrayal of Tony Stark, and it's gonna be interesting to see if the Globes or SAG fall for that. Hey, they have important posters and everything! -Bombshell: If there's one movie that will need to jump on the hype-o-meter thanks to the Golden Globes and SAG voting bodies (the first group being some shady, easily bought foreign journalists, while the second one is made up of actors who love these kinds of movies), it's Jay Roach's expose about the abuse at Fox News. Charlize Theron's eerily accurate lead turn as Megyn Kelly is bound to get some love (although part of it comes from the "This person looks exactly like the real person, so that's automatically a great performance" factor), and Margot Robbie's portrayal of a fictional decent Fox News employee can slide in the Supporting Actress nods. Add Make-Up and Hairstyling, and those are the big shots for what critics call "the Vice of 2019". -Cats: Everybody has stopped pretending that Tom Hooper's adaptation of Andrew Lloyd Webber's furry musical has a shot for Best Picture, but apparently Universal is rushing to get the Golden Globes voters to see the movie before the deadline. And let's be honest, it's totally possible that, no matter how it is, Cats ends up nominated for Best Comedy/Musical. You know it, I know it. Also, they still have chances for smaller Oscars, like Best Original Song, with this totally not tacked track by ALW and a suddenly British Taylor Swift. -Dark Waters: "DU PONT, YOU BASTARD!!!!! " That's what I imagine Mark Ruffalo screams in this legal thriller surprisingly directed by Todd Haynes, about the real case of a town poisoned by a neglectful corportation. While the reviews for this depressing story have been very good, and the box office release has been expanding nicely, this is a classic case of a small movie released too late. Usually this kind of movie needs dedication to build the hype, but it was screened in the middle of November in a crowded season that is rushed because the Oscar ceremony is almost a month early, so a bunch of people don't even know that this exists. Also, shoutout to the poor Anne Hathaway, who is playing The Wife here. -Dolemite Is My Name: You know who needs some Golden Globes and SAG love? Eddie Murphy. The Netflix release of the Rudy Ray Moore biopic has been a little underwhelming to build buzz, and with the streamer's interest being more devoted to The Irishman, The Two Popes and Marriage Story, the film's only chance for an Oscar nomination lives or dies on Eddie popping up in the Best Actor nods right now. -Downton Abbey: Wanna know a fun fact? This movie made 186 million dollars worldwide. That's like 581 Lucy in the Skies! In other words, we have to wonder if Julian Fellowes' big screen continuation of the TV period piece will just settle for Production Design and Costume Design awards, because there's a wild card in the Best Supporting Actress race: Maggie Smith. Everybody loves her, and it wouldn't be a surprise to see her nominated for a Globe or a SAG this season. -Ford v Ferrari: Your dad's new favorite movie has been running at full speed at the box office, grossing 143 millions worldwide in a couple of weeks and finally proving to Disney the value of Fox's big adult dramas. Now, James Mangold's flick will need to get some Golden Globes love for Christian Bale's performance if it wants to stick in the Best Picture race, because sometimes being a technical crowdpleaser is not enough. -Frozen II: While the critics agree that this sequel is decent but doesn't live up to the original, Elsa has used her dark powers to dominate the box office and raise 738 million dollars in less than two weeks, which leads us to talk about the Best Animated Feature category. After the breath of fresh air that was the win by Spider-Man: Into The Spider-Verse, we're back in Disneytown, because this year the category is weak in terms of commercial contenders to the Mouse, while smaller movies like I Lost My Body (IT'S RIGHT NOW ON NETFLIX, PEOPLE, CHECK IT OUT) or foreign flicks like Weathering With You won't get as much attention. Basically, expect Frozen II or Toy Story 4 to win this year. My only doubt: Will Disney still push Into the Unknown for Best Original Song, or change it to Show Yourself, which is the song people liked better after seeing the movie? -Harriet: Now that the Best Actress race is more crowded, it's getting harder for Cynthia Erivo to keep her spot in the Top 5, so she really needs those Globe and SAG nominations. -Honey Boy: After the strong reviews for Alma Har'el's directorial debut that deals with Shia LaBeouf writing the story of his troubled young fame and playing his own father, it seemed that Hollywood really wanted the Shia LaBeouf comeback. But while the film has gotten a nomination for the Spirit Awards (aka, the Indie Oscars) for Shia's performance, the box office expansion for this movie has been disappointing. Throw that into a crowded race, and you get shrinking odds. -Hustlers: We know that Lorene Scafaria's con friends tale is a hit at the box office (it has grossed over 150 millions on a 20, 7 mil budget), and now we get to see the two big campaigns unfold. On one hand, we have Jennifer Lopez cashing in the critical love (she was one of the Best Performances of the Year according to Time, and got a Spirit nomination as well), meeting every voter, and stepping up to Laura Dern as the race for Best Supporting Actress becomes a 1v1 match. Then, Scafaria (who got a Spirit nom for Best Director) has been making the rounds, and those chances for Best Adapted Screenplay seem closer and closer. Expect this one to benefit from the Globes and SAG nominations. -Jojo Rabbit: Taika Waititi's WWII satire has been performing decently at the box office, but it needs some Golden Globes love if it wants to keep attention for the Best Picture race. -Joker: We know that Joaquin is locked and loaded for the Oscar nominations for Best Actor, and the box office has broken the billion dollar threshold, but the Best Picture chances for the sad clown have been rocked by the revelation of Todd Phillips considering... a sequel? Oh, my monocle! Warner has been quick to deny the breaking news by The Hollywood Reporter, mainly because a sequel would prove that Joker's punk themes about society and stuff were bull, but whatever. In other news, John Waters said that Joker was one of his 10 favorite movies of the year because it's so dangerous, and this encapsulates why I despise every critic who saw this piece of nothing at Venice and ran off to write shocked thinkpieces that ended up helping the movie. -Judy: It's hard to be alone at the top, and that's gonna be a test for Renee Zellweger as she now has to keep her number 1 spot in the Best Actress race for the next two months. Expect a change to come soon, even if she's bound to get SAG and Globe noms in a few days. -Just Mercy: It seems that Warner Bros has put all of its eggs in the Joker basket, because nobody's talking about the legal drama starring Michael B. Jordan and Brie Larson. Even the best chance of this movie, a supporting turn by Jamie Foxx, has withered away in the big race. If this doesn't get any Globes or SAG nods, it's Oscar chances are gone. -Knives Out: Benoit Blanc is in the house, and Rian Johnson's all-star whodunnit followed its months of critical praise with a big opening weekend of 70 million dollars worldwide, which is amazing news. While Lionsgate is looking at the results of the mystery comedy (that had a 40 million dollar budget) with those sequel eyes, the chances for a surprise Oscar nomination for Rian's original screenplay became louder. Take that, Youtube channels still milking "Last Jedi hurt my tricycle" videos. -Little Women: The proper reviews are out, and critics are falling over with praise for the literary adaptation, which is great for the Oscar chances of Greta Gerwig, Saoirse Ronan and Florence Pugh. The Globes/SAG boost will help a lot, too. -Marriage Story: Speaking of the Globes/SAG boost, expect the Noah Baumbach divorce dramedy to jump to the spotlight for the next few weeks, because the film will be everywhere between the locked nominations (Adam Driver, Scarlett Johansson, Laura Dern) and the release on Netflix worldwide this Friday. If only ScarJo would stop saying stuff, this would have been a different race. -Once Upon a Time in Hollywood: The first big test of Quentin Tarantino's love letter to the '60 will be if the staying power of the movie translates to Globes and SAG noms. Expect this to become a reality. -Pain and Glory: As critics start to rush to post their Top Ten lists of 2019, Pedro Almodóvar's self-portrait has been getting a lot of love, as well as Antonio Banderas' heartbreaking turn. While this movie has been overshadowed by the next film in our list, Banderas can benefit if he scores in the critics circles and gets a Globes nod (the SAG is less possible because the actors guild is... how do I put it... allergic to performances by anyone who isn't white and speaking English). -Parasite: Bong Hive, assemble. The Korean class warfare satire is a few weeks away from entering the Top 10 for box office grosses by foreign films in the US, and the critics are still showering Bong Joon-Ho with praise. While it's nearly impossible to see the film getting nominated for a SAG, the Globes will surely spread some nominations (even though the film can't compete for Best Drama or Best Comedy/Musical because of a dumb rule against foreign movies). And we have to see how the critics circle boost Bong. Will we have the next Roma? -Queen and Slim: Melina Matzoukas' riff on the lovers on the run subgenre scored nicely over the Thanksgiving box office, and will sure become a minor hit. But, as with Dark Waters, it screened too late, so it's hard to see the film, Matzoukas, the screenwriter Lena Waithe or its leads (Daniel Kaluuya and Jodie Turner-Smith) standing tall in the crowded race. -Richard Jewell: While Dark Waters and Queen and Slim screened too late to get properly noticed, you know who is the guy for whom every old Academy member saves a spot every year? Clint Eastwood, that's who. Sometimes he gives us a Letters From Iwo Jima, sometimes he gives us Hereafter. Now he came with the tale of the security guard who got wrongfully accused of bombing a stadium in Atlanta, and makes a star of Paul Walter Hauser (previously known for playing the drooling dumb in I, Tonya, BlackKklansman and Cobra Kai), who now also joins the Best Actor race, while Sam Rockwell puts the hood down and plays his lawyer. While some people said that this could sneak up in Best Picture, the road is still full of doubts, especially after some reports about how Eastwood treats a journalist character played by Olivia Wilde, based on a now deceased woman who is now played as an evil cartoon who gets sex for scoops. At least Clint deleted the scene where she plots with a chair for a conspiracy involving the DNC. -Rocketman: Nobody is expecting the Elton John musical biopic to get big nominations at the Oscars, but you just know that Taron Egerton will be happy to get that Golden Globes love and smile his face off on TV. -The Farewell: As the race becomes more crowded, Lulu Wang's culture clash dramedy has to keep popping up, and A24 has been grinding with this one, even bringing out Zhao Shushen to campaign. The Spirit Awards boosted the film with nods for Best Picture, Best Actress for Awkwafina (who now goes around in some campaigning spots using her real name, Nora Lum), and Best Supporting Actress for Zhao. Now, it has to contend the rules of the Globes (because the movie features Chinese in most of the dialogue, it's classified as foreign, so it can't compete for Best Drama or Best Comedy/Musical) and the preferences of the SAG. -The Irishman: Martin Scorsese's epic and heartbreaking goodbye to the gangsters of his youth is out to the world, and people have been talking... mostly, about how to watch it. Apparently, everybody is cool with downing a Stranger Things season in a day or watching the second hour of Ant-Man trying to eat a taco with the Hulk, but three and a half hours for Jimmy Hoffa's pal ruminating about death are suddenly too much. Kids these days. I'm kidding, but the reaction to Marty's epic goes from praise from some to disdain and "ok, boomer" reactions from people hurt by his MCU comments or ready to launch thinkpieces about a movie that actually takes the glamour out of the mob life. That could prove fatal by the end. -The Lighthouse: While the Spirits gave several nods to Robert Eggers' spooky old timey cabin fever tale, the Globes and SAG nominations are the true tests of the only big chance for this movie, the "supporting" role of Willem Dafoe. -The Report: Did you know that this movie is on Amazon right now? It got ignored by the Spirit awards, and it seems unlikely that the Globes and the SAGs remember that this movie about Adam Driver (who is busy campaigning for Marriage Story and spraying Reylo shippers out of his yard) dealing with the tortures in the Iraq War exists. Sorry Annette Bening, better luck next time. -The Two Popes: IT'S TIME FOR THE POPES TO PLAY. After months of hearing reports of old people being delighted by the popal clash, we'll see if Jonathan Pryce and Anthony Hopkins can charm their way to some Globes and SAG nods. This paragraph is too weird. -Uncut Gems: Adam Sandler and the Safdie brothers keep collecting praise, and a bunch of Spirit nods are a good lead-in to a week when the Sandman will need both the industry and the critics love. -Us: Lupita Nyong'o is campaigning hard for her double role in Jordan Peele's thriller, and we'll likely see her pop up in the Globes line-up. It's a shame that Us released so early this year, because if it had come out in October, she'd be locked for a Best Actress nod. -Waves: Trey Edward Shults' family drama had some praise coming out of Toronto, but it isn't translating to meaningful box office during its expansion. Furthermore, while it seemed that the only chance for the movie would be in the hands of Sterling K. Brown, recent awards ignored him while signaling the supporting role of Taylor Russell (more known for her lead role in Escape Room, which was a fun time). A24 hopes for this being the next Moonlight are not coming to pass. Technical(ly) contenders: Ad Astra, Avengers: Endgame, Cats, Downton Abbey. Check the pulse: The King, Dark Waters, Just Mercy, Waves, Honey Boy. This had Oscar buzz: Seberg, The Laundromat, The Goldfinch, Lucy in the Sky, Motherless Brooklyn, The Aeronauts, The Report. Closing question: What or who is gonna be the random Golden Globes nominee that nobody sees coming this year?

This guy is truly a hero. And i knew at the time this guy was innocent and the way the media did this guy was wrong. This is what the media will do. Never trust the police the government or the media. Just saw the film, it should sweep the Oscars. The FBI seems to be struggling with these same issues of incompetence and corruption. (Richard Jewel in 1996. Carter Page in 2016... He struggled with diabetes. Stress makes the condition WORSE. You could make the case THE media killed him. Finally a trailer that doesn't give away the whole movie. O Caso de Richard jewellers. O caso de richard jewell. The AJC should have been put out of business, let alone vindicated by the courts. Was this the beginning of 'fake news.

This man is a hero and now he will get the recognition he deserves. Cant wait to see this movie about Richard Jewell, whose courage and quick action saved many lives that day in our lazy and corrupt FBI along with media anxious to spin a story ruined this years which have passed since 1996 have provided hundreds of exonerations of those wrongly convicted and imprisoned by the same mindset which targeted Richard Jewell. Sadly, many in our criminal justice system and media continue to make the same mistakes time after time after time...

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BD / BRRips in DVDRip resolution can vary between XviD orx264codecs (generally measuring 700MB and 1. 5GB and the size of DVD5 or DVD9: 4. 5GB or 8. 4GB) which is larger, the size fluctuates depending on the length and quality of release, but increasingly the higher the size, the more likely they are to use the x264 codec. With its classic and secret beauty, this Californian from Sacramento has won the Summit. He was seen on “21 Jump Street” with Channing Tatum, and “Crazy Amy” by Judd Apatow. And against more prominent actresses like Jennifer Lawrence, Gal Gadot or Scarlett Johansson, Brie Larson signed a seven-contract deal with Marvel Movie Download Torrent. There is nothing like that with Watch The Curse of La Llorona Free Online, which is signed mainly by women. And it feels. When he’s not in a combination of full-featured superheroes, Carol Danvers runs Nirvana as greedy anti-erotic as possible and proves to be very independent. 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Once the actor moves or starts the sequence of actions, the stiffness of his movements is clear and reminds of his true age. Details but it shows that digital is fortunately still at a limit. As for Goose, the cat, we will not say more about his role not to “express”. Already the 21st film for stable Marvel Cinema was launched 10 years ago, and while waiting for the sequel to The 100 Season 6 Movie Richard Jewell infinity (The 100 Season 6 Movie, released April 24 home), this new work is a suitable drink but struggles to hold back for the body and to be really refreshing. Let’s hope that following the adventures of the strongest heroes, Marvel managed to increase levels and prove better. If you've kept yourself free from any promos or trailers, you should see it. All the iconic moments from the movie won't have been spoiled for you. If you got into the hype and watched the trailers I fear there's a chance you will be left underwhelmed, wondering why you paid for filler when you can pretty much watch the best bits in the trailers. That said, if you have kids, and view it as a kids movie (some distressing scenes mind you) then it could be "right up your alley". It wasn't right up mine, not even the back alley. But yeah a passable Richard Jewell with Blue who remains a legendary raptor, so 6/10. Often I felt there just too many jokes being thrown at you so it was hard to fully get what each scene/character was saying. A good set up with fewer jokes to deliver the message would have been better. In this way Richard Jewell tried too hard to be funny and it was a bit hit and miss. Richard Jewell fans have been waiting for this sequel, and yes, there is no deviation from the foul language, parody, cheesy one liners, hilarious one liners, action, laughter, tears and yes, drama! As a side note, it is interesting to see how Josh Brolin, so in demand as he is, tries to differentiate one Marvel character of his from another Marvel character of his. There are some tints but maybe that's the entire point as this is not the glossy, intense superhero like the first one, which many of the lead actors already portrayed in the past so there will be some mild confusion at one point. Indeed a new group of oddballs anti super anti super super anti heroes, it is entertaining and childish fun. In many ways, Richard Jewell is the horror movie I've been restlessly waiting to see for so many years. Despite my avid fandom for the genre, I really feel that modern horror has lost its grasp on how to make a film that's truly unsettling in the way the great classic horror films are. A modern wide-release horror film is often nothing more than a conveyor belt of jump scares strung together with a derivative story which exists purely as a vehicle to deliver those jump scares. They're more carnival rides than they are films, and audiences have been conditioned to view and judge them through that lens. The modern horror fan goes to their local theater and parts with their money on the expectation that their selected horror film will "deliver the goods", so to speak: startle them a sufficient number of times (scaling appropriately with the film's runtime, of course) and give them the money shots (blood, gore, graphic murders, well-lit and up-close views of the applicable CGI monster etc. ) If a horror movie fails to deliver those goods, it's scoffed at and falls into the "worst film I've ever seen" category. I put that in quotes because a disgruntled filmgoer behind me broadcasted those exact words across the theater as the credits for this film rolled. He really wanted us to know his thoughts. Hi and Welcome to the new release called "Richard Jewell" which is actually one of the exciting movies coming out in the year 2018. [WATCH] Online. Richard Jewell Full Movie, New Release though it would be unrealistic to expect "Richard Jewell" Torrent Download to have quite the genre-busting surprise of the original, it is as good as it can be without that shock of the new - delivering comedy, adventure and all too human moments with a generous hand.

It's sad when being a good citizen is a crime and almost makes you want to turn the cheek if you see something. A kid went missing around my area so I went looking for him and come to find out he was buried 10ft away were I stopped searching and now I'm glad I didnt find him. THE SICKNESS of Sensationalist Journalism. Victim of the biggest organized crime in the world. the us government. O caso de richard jewell trailer legendado. Don't you love how we have to rely on the press to report his story after the press dragged his name through the mud and branded him a killer in the first place. O caso de richard jewell elenco. I'll comment them in order of preference: A Sister might just have the same idea as "The Guilty", but it was really well done. The acting is really believable, the camera angles and light set the mood really well and the story manages to be really emotional in a very short period of time. Nefta Football Club is very funny and it also is good because of how believable it is. Not that it is real or anything, but no character in the movie and no piece of the story seem fake. It feels like a joke, with things being a bit absurd, but it feels like a good joke, with decent acting and a very interesting plot. Brotherhood is probably the most artistic of all, with the best shots and is certainly the most beautiful, even in its plot. If the Oscars were really about evaluating great artistic films, it would certainly win. Saria had terrible acting, but the story was poignant and knowing it was based on real events made it more impactful. The Neighbor's Window is certainly the most meh for me because it is just so very bland. Nothing really stands out in it.

Probably my least favorite out of all the nominated films. The writing and directing of Olivia Wilde's character, for instance, was absolutely horrendous. I felt like Kathy Bates was one of the bright spots in the film, but her nomination definitely could have gone to someone else. Zhao Shuzhen, maybe, or Thomasin McKenzie in Jojo Rabbit. Oh well, at least it didn't get any other nominations.

I just saw the movie. Great story, great acting, and great direction. It's actually a very timely story, even though it happened more than 23 year ago. Richard Jewell's story is about a hero whose life was destroyed by an unholy alliance between a corrupt FBI and a corrupt media. Sound familiar? It should. The disgusting, unholy, corrupt FBI/media alliance continues to this day. Poster boy for innocent until proven guilty. Press J to jump to the feed. Press question mark to learn the rest of the keyboard shortcuts log in sign up 1 1 Posted by 1 month ago Watch Richard Jewell Online comment 100% Upvoted Log in or sign up to leave a comment log in sign up Sort by no comments yet Be the first to share what you think! u/rhymancommando Karma 1 Cake day December 27, 2019 help Reddit App Reddit coins Reddit premium Reddit gifts Communities Top Posts Topics about careers press advertise blog Terms Content policy Privacy policy Mod policy Reddit Inc © 2020. All rights reserved Cookies help us deliver our Services. By using our Services or clicking I agree, you agree to our use of cookies.   Learn More.

 

 

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Richard Jewell

9.8 stars - Vanessa Rodriguez